Cristo morto sorretto da due angeli
Descrizione opera
The figure of the dead Christ supported by angels stands out from the black background, here preferred to the more common view of a landscape: this is an innovative choice that places Francia ahead of Perugino. In fact, the Umbrian master only adopted this solution in 1495-96. The work formed the cymatium of the altarpiece originally in the Felicini chapel and, like the central panel, was the subject of a second work by Francia or his sons.